We participated in the creation of wide vision content for docomo FUTURE STATION, a 12K x 2K wide LED vision (SONY Crystal LED) that showcases the various advantages of 5G, the next generation of communications, such as high speed, high capacity and low latency. Logoscope provided technical direction for the live-action content for High Frame Rates, High Dynamic Range, High Resolution, Wide Color Gamut and Wide Vision. Specifically, we built a 5K ultrawide viewing system using 12K wide vision multi-cam shooting and post-production, directing the post-production environment for HFR, HDR and WCG, and real-time head tracking.
11/2018-01/2019, docomo FUTURE STATION Explanation Video (HDR, HFR, 12K, Ultra-wide), Producer: Takahiko Kajima (PICS pics.tokyo), Contribution: Design of camera rigs for 12K ultra-wide curved screen, Wide-vision shooting and post-production, Color-management for HDR viewing environments, Building real-time 5K head-tracking ultra-wide viewing system
08/2018-01/2019, docomo FUTURE STATION Opening Movie (HDR, HFR, 12K, Ultra-wide), Producer: Takahiko Kajima (PICS pics.tokyo), Contribution: Design of camera rigs for 12K ultra-wide curved screen, Wide-vision shooting and post-production, Pre-visualization for VFX, Color-management for HDR viewing environments
05/2018-01/2019, docomo FUTURE STATION J League (HDR, HFR, 12K, Ultra-wide), Producer: Takahiko Kajima (PICS pics.tokyo), Contribution: Design of camera rigs for 12K ultra-wide curved screen, Wide-vision shooting and post-production, Color-management for HDR viewing environments