I wrote the article “Practical Scene Linear Workflow: Use your Physical Data!“ for the May 2014 issue of CGWORLD vol.189.
『Scene-linear Workflow Practice: Use your Physical Data！』
Technical : Scene Linear Lighting with LEDs (Approach to Solid-state Lighting)
Spectral measurement of large, high-brightness LEDs for walls
-Calibration of LEDs
-Verification of scene linear lighting
Measurement equipment cooperation: Topcon SR-3 spectrophotometer, Fujifilm Corporation
Technical ：Comparative shooting between digital cinema cameras and film cameras
-Comparative dynamic range test between film camera and digital cinema camera.
-Comparative green and blue background test between film camera and digital cinema
Equipment cooperation: McRAY Co. (ARRIFLEX 435 & Kodak Vision3 200T, ALEXA XT, SONY F55&F65, RED Epic )
Equipment cooperation: Qtec Co. (ARRI ARRISCAN XT)
Equipment cooperation: Fujifilm Corporation ( ARRI Dynamic Range Test Chart DRTC-1 )
・Technical : New Features of V-Ray 3.0
・Special Case Study: Scene-linear Workflow implementation and education examples
・Case Study 01: Matte Painting on Scene-linear
・Case Study 02: ACES Workflow for Live-action Compositing & Full CG
・Case Study 03: On-set Scene-linear Compositing, Equipment and Software-independent Scene-linear Workflow
